Over the years, Number One Gun has been a source of creative exploration for us. They’ve always been great at essentially giving us free-reign, which has allowed us the room to create some work that we’re really proud of (thanks, Jeff). For this, their newest digital-only release, This Is All We Know, we created a scene made to look like a page cut from a special Twilight Zone Edition of a 1960s Life Magazine. We started with a pre-printed image and added a mysterious mirrored box, nestled into the setting.
Here’s a look at the album cover we created with long-time friend Aaron Sprinkle, for his newest release, Water & Guns. The Album itself is phenomenal, and Aaron, as usual, gave us his unyielding trust to create something with no boundaries but our own imagination. Water & Guns speaks of (among many other things) Aaron’s recent move across the country, and his long journey to complete this record. Our idea was to represent two polarizing landscapes using abstract shapes. In this case, all pre-printed materials from vintage magazines. Buy this record.
Is there still a role for designers in the music industry? We’re honored to be amongst 7 studios interviewed and featured in IdN’s Music Graphic issue.
Recorded music has always been packaged, from the very earliest days when wax cylinders came in cardboard tubes, and has therefore always involved designers. In the palmy days of vinyl LPs with sometimes stunning cover art and often erudite liner notes, the presentation was almost as important as the product.
But with the industry morphing so rapidly into the field of digital-download delivery, where do the graphics come in now? This is a burning question for all those working in the area of visually representing music. To see what their answers are, read this feature story, which solicits the views of seven specialist music designers.
Featuring: Telegramme Studio | Invisible Creature, Inc. | IWant Design | Daniel Reed | Matteo Meta | Leif Podhajsky | Giottographica
We’re excited to reveal our new cover for Minorville, the upcoming album from Nashville’s finest: Derek Minor. With the help of Curtis Clark (or ‘Dad’, as we like to call him), we designed this from the ground up in approx. 2 weeks. With over 100 feet of basswood and baltic birch, Dad took our design and created an entire city in 50 hours. Each structure arrived safely in Seattle, ready to be constructed in the shape of Derek’s profile. When we were initially presented with the challenge of creating this album cover, this was the first concept we pitched – Many thanks to Derek and Reach Records for sending us off and running. Stay tuned for a full comprehensive “Making Of” film coming in the next few weeks, but for now – enjoy the teaser (Processed using VSCO film emulation):
Here’s a look at the recently completed cover for August Burns Red’s new album, Rescue & Restore. The album will be available June 25th on CD, double gatefold vinyl, and limited edition vinyl box set. Pre-orders available soon! We had an absolute blast putting this together. Thanks to JB and the guys for their trust and letting us run crazy with it.
Last February, the kind folks at Austin City Limits Music Festival commissioned us to design key art and assets for their infamous 6-day event, which is happening October 4-6 and 11-13. We graciously accepted their request and the new look is now out in the wild. We had a blast compiling all that there is to love about the iconic festival, the city of Austin … and even a little of their historic bat and flag culture. Oh, and Depeche Mode is playing?!
What happens when two ex-Altec Lansing guys, an architect/furniture designer and a liquor industry operational expert come together? Grain Audio. Check out the great video and bio over at their Kickstarter page to learn more. Better yet, pledge some of that hard-earned cash and make this dream a reality. The products are beautiful and they sound even better. We even designed a poster to help seal the deal. Go!
Our friends in Underøath asked us to contribute a design dedicated to one show of their upcoming farewell tour. This design (for both poster and t-shirt) specifically commemorates the Houston, TX date of the tour. If you have a chance, don’t miss seeing this band for the last time, and be sure to check out all of the final tour designs created by friends of the band here.
We had the great pleasure of working once again with Starflyer 59 on their thirteenth full-length album, IAMACEO. As always, working with Jason Martin was an extremely creative and enjoyable experience… and needless to say, the album itself is stellar, so do yourself a favor and pre-order a copy (vinyl & digital download) NOW!
Congrats to Kendrick Lamar on the success of his epic new LP ‘good kid, m.A.A.d city‘, out now. We worked closely with Kendrick to bring to life his vision for the album art. In stores and on iTunes now.
Last year we had the pleasure of helping our friends at Chipotle launch their first-annual Cultivate Festival. Bringing together food, farmers, chefs, artisans, thought leaders and musicians from around the globe, the festival was a resounding success. So, naturally we were thrilled when they asked us to come back this year. Our mission? To create a fresh and fitting sequel that continued the Cultivate brand we established in 2011.
This year it’s twice the fun with Cultivate happening in Chicago on September 15th and Denver on October 6th. See you there!
Here’s the cover we created for the new Anchor & Braille album, The Quiet Life. A&B is the side-project of Anberlin‘s Stephen Christian. Always nice to work with good people. Check out the video for “Find Me” here.